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The book is sold as a "novel" but in reality it is not necessary: not all of Bradbury's work has aged well, but these visions of a different world, and how human beings reach it, continue to let themselves read with pleasure . I just read your comment and I have been looking for Selverberg's book "Through a billion years" for a long time, in my opinion a very good science fiction book. And from Thomas best science fiction audiobooks Disch, The Genocide and Concentration Camp, and even, coming directly from the mainstream, a beautiful and powerful novel by Ishiguro, Never Abandon Me, and an author perhaps very cryptic but I think it's worth keeping track of him, called M John Harrison… well, I don't pretend to be exhaustive either, but I think there are some other books that can still be included with dignity in the genre.
In my opinion, without reading something from these three authors, you run the risk of not distinguishing the frontier between Science Fiction and Fantasy. I intend to publish in a few weeks my "History of Science Fiction" in my blog; It is a genre account in mythology, religion, literature, comic, film and television. It turns out that when I was a kid, I had at that time about 11 or 12 years before entering the Sunday morning at the Mavillas cinema in 1969 accompanied by my brother 4 years older than me, we bought small novels short stories from the collection of « science fiction "and the authors that I remember from those yesterdays are: PETER KAPRA, CLARK CARRADOS, CURTIS GARLAND AND EANDO BRINDER.
It is necessary to include Orson Scott Card in the list, with several of his novels such as the "Ender" saga in particular Ender the genocidal is one of my favorites, the people of the margin, not only is CF also has a tremendous sentimental force, if I agree OSC is very crazy, I just read «the lost children» and it makes you enter the family that you find elements in common with the characters, however you know that there is something sinister that round the story in the end solves pit and It leaves you with a feeling of terrible desolation of emptiness. Impressive novel, Simmons is not only a master author in the art of narrating but also a lover of all-time literature and is also up to date on scientific knowledge (from quantum physics to robotics and artificial intelligence), a mixture that many pretended science fiction writers are not even up close. 20 books (more) to start reading science fiction.
RT @mareacultural: RT @albertochimal 20 books (more) to start reading science fiction. I would add "Andromeda's killer mind" and tales of this genre by Fredric Brown; "The saliva tree" and "Star ship" by Brian Aldiss; "Ring World" by Larry Niven; "The Hunt of Nimrod" by Charles Shiefield; "Porch" by Frederick Pohl; "50 in 50" by Harry Harrison; Wells's "time machine"; "Night Wings" by Robert Silverberg; some stories from Yasutaka Tsutsui's "Salmonella men on the porn planet" book; the story "The Celestial Plot" by Adolfo Bioy Casares and "The Endless War" by Joe Haldeman, one of my spoiled ones. An excellent list Alberto, although, as good readers and lovers of Science Fiction, we know that certain works are very difficult, if not impossible, to achieve.
Science fiction is the name of one of the genres derived from fiction literature, along with fantastic literature and horror narrative Some authors believe that the term is a bad translation of English science fiction and that the correct one is scientific fiction. 1 Born as a genre in the 1920s (although there are recognizable works that were much earlier) and subsequently exported to other media, such as film, comic and television, it enjoyed a great boom in the second half new sci fi audiobooks of the twentieth century due to popular interest about of the future that awakened the spectacular scientific and technological progress achieved during all these years. Science fiction is a genre of imaginary narratives that cannot occur in the world we know, due to a transformation of the narrative scenario, based on an alteration of scientific, spatial, temporal, social descriptive coordinates, but in such a way that what is related is acceptable as rational speculation.
Until that date, the narratives that today we do not hesitate to describe as science fiction received various names, such as "fantastic journeys," "stories of lost worlds," "utopias," "scientific novels." Another author who wrote some such stories is Jack London The author of the adventure novels in the wild Yukon, Alaska, and the Klondike, also wrote stories about aliens (The best scifi fantasy audiobooks Red One), about the future (The Iron Heel) about the conflicts of the future (The unprecedented invasion). But the American author who best symbolizes the birth in the United States of science fiction as a mass genre is Edgar Rice Burroughs who, shortly before World War I, published Under the Moons of Mars (1912) in several issues of a specialized magazine in adventures
In the United Kingdom, it can be associated with the arrival of Michael Moorcock to the direction of the New Worlds Moorcock magazine, then a 24-year-old man, gave space to the new techniques exemplified in the literature of William Burroughs and J.G. Ballard The themes began to distance themselves from the much-beloved robots and galactic empires of the golden and silver ages of science fiction, focusing on hitherto unexplored themes: consciousness, inner worlds, relativization of moral values, and so on.
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